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Maneten – FSV Edit 01


Retrograde front 2 back. In recent history Maneten got hold of a non encrypted HDD including the lost FinSpelarViktor (FSV) original jackin works. With some new love, mash, scramble & re-bump Lamour now proudly presents FSV Edits 2020. Significant Gevalia flavoured house party shit with some added fat milk & sugar. Stay up. Continue reading

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Ulf Ivarsson – Lower Zone


Ulf Ivarsson. One of Sweden’s most acclaimed bassists and Grammys winners (producer ‘Thåström – “kärlek är för dom”, “beväpna dig med vingar” and “Den morronen”) and collaborations with, among others, Bill Laswell (Material, Herbie Hancock, PIL, Mick Jagger), Youth (Killing Joke, The Orb, The Verve) and Mick Harris (Napalm Death, Scorn, Lull) release his solo debut with the album ‘Lower Zone’.

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Daniel Araya – Warehouse EP


Daniel Araya from Stockholm, Sweden splits his music creation into periods of playing live, building synths and trying to record techno and acid bangers in his home studio. For years he had all his focus on playing live and developing the ultimate live rig but since 2013 he has started to release a steady trickle of records in various genres with a sound revolving around acid techno and the golden years of rave.

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Lamour Podcast #93 – Gäst Oestergaards

Skivbolagsdirektören Tomas Östergårds gästar oss i vårens andra avsnitt. Vi får höra språkliga hemligheter från Hälsingland och hur det psykiska måendet påverkar musiken. Vi går på djupet med genren dark ambient och en del industri. Programledare i vanlig ordning är David Holm och Viktor Zeidner.

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AKB – Marianergraven (Release Feb 28)


The musical origins of this album comes from an avid fascination with the ocean and its secrets.The idea of how the pressure and darkness of the depths may sound and the unknown mystery attached to the Pacific abyss of the Marianas trench evokes both a calmness and a breathtaking feeling of bottomlessly sinking into the darkness way down deep. ‘Marianergraven’ is AKB’s own take on the ambient genre, with melodies moving slowly, forming a menacingly areal atmosphere, where the soaring laments are able to float freely across the sonic panorama. She utilizes the electronic tonalities from syntheses, loops and effects to create a slowly growing and floating ambient structure, which is both melodic and dissonant combined.  Continue reading